For the Powell and Pressburger team in The Life and Death of Colonel Blimp (1943) he played the role of the dashing, intense "good German" officer Theo Kretschmar-Schuldorff, and the tyrannical impresario Lermontov in The Red Shoes (1948). Instead of returning to Austria, Walbrook, who was gay[3] and classified under the Nuremberg Laws as "half-Jewish" (his mother was Jewish),[4] settled in England and continued working as a film actor, making a speciality of playing continental Europeans. August 1967 in Garatshausen) war ein österreichischer Schauspieler, der sich im englischen Exil Anton Walbrook nannte. Gary Brumburgh / gr-home@pacbell.net, Other Works Adolf Anton Wilhelm Wohlbrück (n. 19 noiembrie 1896, Viena, Austro-Ungaria – d. 9 august … His ashes were interred in the churchyard of St John-at-Hampstead Church, London, as he had wished in his testament. Walbrook was born in Vienna, Austria, as Adolf Wohlbrück. Adolf Anton Wilhelm Wohlbrück (19 November 1896 – 9 August 1967) was an Austrian actor who settled in the United Kingdom under the name Anton Walbrook. Official Sites. For the Powell and Pressburger team in The Life and Death of Colonel Blimp (1943) he played the role of the dashing, intense "good German" officer Theo Kretschmar-Schuldorff, and the tyrannical impresario Lermontov in The Red Shoes (1948). His mastery of English was remarkable and enabled him to appear on the stage from 1939 onward, something few emigre actors accomplished. Instead of returning to Austria, Walbrook, who was homosexual[3] and classified under the Nuremberg Laws as a so-called “Mischling ersten Grades” (mixed race in the first degree) because his mother was Jewish,[4] settled in England and continued working as a film actor, making a speciality of playing continental Europeans. [7] He retired from films at the end of the 1950s and in later years appeared on the European stage and television. See more ideas about Anton, Debonair, He is my everything. After World War II he appeared on German stages but the German film business offered him very little. Walbrook, who was gay and classified under the Nuremberg Laws as "half-Jewish" (his mother was Jewish), settled in England and continued working as a film actor, making a speciality of playing continental Europeans. Mr Anton Walbrook ‘a man without a country.’ The story went on to explain that as of yesterday, (Wednesday 26 October) the wedding was officially ‘off’. November 1896 in Wien; † 9. His ashes were interred in the churchyard of St. John's Church, Hampstead, London, as he had wished in his testament. Walbrook studied with the director Max Reinhardt and built up a career in Austrian theater and cinema. He was the son of Gisela Rosa (Cohn) and Adolf Ferdinand Bernhard Hermann Wohlbrück. He is best remembered for his roles in several, Walbrook was a fervent anti-Nazi who immediately donated his £1000 fee to charity for his part in the movie, He was one of the few actors whose work actually improved with exile. View agent, publicist, legal and company contact details on IMDbPro. http://tombwithaview.org.uk/abg-people/anton-walbrook/, Creative Commons Attribution-ShareAlike 3.0, https://lgbt.wikia.org/wiki/Anton_Walbrook?oldid=36852. [5] He retired from films at the end of the 1950s and in later years appeared on the European stage and television. His Red Shoes co-star Moira Shearer recalled Walbrook was a loner on set, often wearing dark glasses and eating alone. In 1936, he went to Hollywood to reshoot dialogue for the multinational The Soldier and the Lady (1937) and in the process changed his name from Adolf to Anton. Walbrook was born in Vienna, Austria, as Adolf Wohlbrück. There he found work in the film business using the name Anton Walbrook. His stiff and stern military officers were just as notable which included sterling work in The Queen of Spades (1949) and last-speaking English film I Accuse! His screen persona, like his English, was always perfectly poised and controlled (a consequence perhaps of the constant strain he felt hiding his homosexuality), with only a hint at the great sublimated energy that he seemed to hold taut just below his skin. Walbrook died of a heart attack in the Garatshausen section of Feldafing, Bavaria, Germany in 1967. A popular performer in Austria and pre-war Germany, he left in 1936 out of concerns for his … He was buried in England. In performance it only rarely broke loose, as it did during the "we are not your brothers" speech in. Among them Waltz War (1933) and the gender-bending comedy Victor and Victoria (1933), which later served as the inspiration and basis for Blake Edwards' own Victor Victoria (1982) starring wife Julie Andrews. Such included the sympathetic German officer in the landmark Powell and Pressburger satire The Life and Death of Colonel Blimp (1943) and gentle pacifist in another of their collaborations 49th Parallel (1941); as Prince Albert in the black-and-white glossy costumer Victoria the Great (1937) immediately followed by its color remake Queen of Destiny (1938) both opposite Anna Neagle's Queen Victoria; and, most notably, as the obsessively demanding impresario opposite ballerina Moira Shearer in the romantic melodrama The Red Shoes (1948). In Dangerous Moonlight (1941), a romantic melodrama, he was a Polish pianist torn over whether to return home. [5] In 1952 he appeared at the Coliseum as Cosmo Constantine in Call Me Madam, also participating alongside Billie Worth, Jeff Warren and Shani Wallis on the EMI cast record.[6]. His Red Shoes co-star Moira Shearer recalled Walbrook was a loner on set, often wearing dark glasses and eating alone. Anton Walbrook (born: Adolf Anton Wilhelm Wohlbrück; November 19, 1896 - August 9, 1967) was an Austrian actor who settled in the United Kingdom. - IMDb Mini Biography By: He was the son of Gisela Rosa (Cohn) and Adolf Ferdinand Bernhard Hermann Wohlbrück. He was in director Thorold Dickinson's version of Gaslight (1940), in the role played by Charles Boyer in the later Hollywood remake. Billed as Adolf Wohlbrück, the youthfully handsome actor graced a number of romantic films come the advent of sound beginning in 1931. He always brought an English teacher--his English governess from childhood--to the set to help him with pronunciation. He took acting lessons at the school of Max Reinhardt and obtained a five-year contract at the "Deutsches Theater". For Max Ophüls he was the ringmaster in La Ronde (1950).
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