[107] It entered the competition at the 1985 Venice International Film Festival. Filming began on 22 February 1965 on location in Ocala, Florida. Cardinale was part of a short film named ‘Anneaux d’or.’ When the film was displayed at the ‘Berlin Film Festival,’ she was noticed by French director Jacques Baratier. Cardinale next portrayed Pauline Bonaparte in Abel Gance's French film Napoleone ad Austerlitz,[41] and after appearing opposite Gassman and Salvatori in the sequel to Big Deal on Madonna Street, Audace colpo dei soliti ignoti, she portrayed Ginetta, the fiancée of Spiros Focás, alongside Salvatori and Alain Delon in Luchino Visconti's critically acclaimed Rocco and His Brothers. He was really very fond of me. [32] Cardinale also starred opposite Pietro Germi in his crime film The Facts of Murder, an important assignment for her in mastering the craft of acting while learning to feel at ease in front of the camera. [24] Later that year, she had a leading role opposite Yvonne Monlaur in Claudio Gora's romantic comedy Three Strangers in Rome. [121] The following year, Cardinale played the peasant mother of two children who are members of Carmine Crocco's (Enrico Lo Verso's) army during the Garibaldi era, in Cristaldi's historical film Li chiamarono... briganti!. However, she changed her mind because of her personal situation and signed a 7-year contract with Italian film producer Franco Cristaldi’s production company, ‘Vides.’ Cristaldi supported her through her difficulties, acted as her mentor, and also married her. [68] By the end of the decade, she had returned to making films primarily in Italy, accepting a pay cut, turning her back on Hollywood stardom. [33] Cardinale considered it to have been her first real test as an actress. "[44] Cardinale was warmly praised by the critics for her performance in Girl with a Suitcase, Dennis Schwartz considering her to have been at her "charming best". Despite having an Italian father, she grew up speaking French after her French mother. Jaded with the Hollywood film industry and not wanting to become a cliché, Cardinale returned to Italian and French cinema, and garnered the David di Donatello for Best Actress award for her roles in Il giorno della civetta (1968) and as a prostitute alongside Alberto Sordi in A Girl in Australia (1971). With her turn in Federico Fellini's 8 1/2 (1963), Claudia Cardinale secured a place in film history, playing opposite Marcello Mastroianni, the ultimate Italian leading man. Cristaldi adopted her son. Mystery is very important. [10], Cardinale's first film work was participating, along with classmates, in a short film by French director René Vautier, Anneaux d'or, successfully presented at the Berlin Film Festival. In her husband's Naso di Cane, a miniseries, Enrico Lancia and Roberto Poppi praised her for her "light comic touch". At the Italian Embassy in Tunis, she was voted the most beautiful Italian girl in Tunisia. In the end, everything worked out fine for me. They also had a daughter named Claudia. While in Hollywood, Cardinale also became friends with Barbra Streisand, Elliott Gould, and Steve McQueen, but she never managed to feel at home there. [87] In 1972, Cardinale appeared in Marco Ferreri's L'udienza, which was screened at the 22nd Berlin International Film Festival. [114] It moves men all over the world to imagine her both as an exciting mistress and wife. If you're not English, you're a foreigner - so you must be sexy. [126] And Now... Ladies and Gentlemen received mixed reviews; A. O. Scott of The New York Times dismissed it as "sublimely silly", but praised the "impeccable CinemaScope compositions" and the "lush, suave score" by Michel Legrand. Preferred to be called by her initials: CC. Because of this, she told everyone that her newborn son (out of wedlock) was her baby brother. "[154] In a 2014 interview, she revealed her secret of success: "If you want to practice this craft, you have to have inner strength. Because of her own experience, Cardinale authentically portrayed the role of ‘Aida,’ a nightclub singer and a young mother, in Valerio Zurlini’s ‘Girl with a Suitcase.’ This was followed by a number of films, such as ‘La Viaccia,’ Bolognini’s ‘Senilita,’ the French comedy ‘Les Lions Sont lâchés,’ and the French film ‘Cartouche.’ The last film made her a star in France. She told of how she benefited from the arrangement, explaining it was an American initiative at a time when they invited all the successful European actresses to perform in their pictures, hoping to create a monopoly. [73] Later that year, she starred opposite Rock Hudson in Universal Pictures's Blindfold, the last film to be directed by Philip Dunne. The film was also showcased at the 1987 ‘Cannes Film Festival.’ Her portrayal of a mother in the 1991 ‘Mayrig’ (mother) and its sequel, ‘588, rues Paradis,’ was described as “flawless.’ At the 1993 ‘Venice Film Festival,’ she won the ‘Leone d’oro alla Carriera’ award. [46] However, he was very close and supportive of Cardinale during the production, and a true friendship developed between the two, based on a deep mutual understanding. Many suffered from the experience, but she was able to hold her own: "I took care of my own interests, blankly refusing to sign an exclusive contract with Universal Studios.
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