Long before she was judging contestants on American Idol, Oliver was producing Paula Abdul. Glen Campbell was at #1 on the US Country music chart with his seventh album, “By the Time I Get to Phoenix. Within a month of Campbell recording “Phoenix” in 1967, the tune reached number 2 in the country charts and 26 in the pop charts. After kicking around fruitlessly at Motown, Webb’s song ended up with the singer/producer Johnny Rivers, who recorded it in 1966 on the album Changes, for his own label. Hayes audaciously opens with a then unheard-of 10-minute rap, inventing an intense back-story for the “Phoenix” couple. He was inspired by a newspaper story about a man who killed himself and left behind a note saying only, "I walk a lonely street. Credit: Imperial, Capitol, Mute, Enterprise. At 23:48, Hayes' version was an unlikely candidate for a hit, but the '70s were the psychedelic, explorative years, where drug experimentation was cool and marijuana the herb of choice, so long cuts were not only accepted but appreciated. A monthly update on our latest interviews, stories and added songs, By the time I get to Phoenix she'll be rising, Edward Pearce from Ashford, Kent, England, More songs with names of cities in the title, More hit songs originally recorded by other artists, More songs that were an artist's first hit. Hot Buttered Soul became the first album to hit high in four charts: R&B, jazz, pop and easy listening, restoring Stax’s fortunes after the loss of its artist Otis Redding in a plane crash. The Sevendust frontman talks about the group's songwriting process, and how trips to the Murder Bar helped forge their latest album. "Great songwriters don't necessarily have hit songs," says Chris. It actually alludes to The Who's 1979 rockumentary film called The Kids Are Alright. “You could try ‘By the Time I get to Flagstaff’, but does it work as well?”. How well do you know the 007 theme songs? It was covered by Jerry Cole, Koichi Oki, The Westliners, The Harry Stoneham Sound … It became one of the most-covered songs of the 20th century, attracting artists from the Four Tops to Nick Cave and the Bad Seeds. Taylor talks about "The Machine" - the hits, the videos and Clive Davis. “I figured I’d better do something,” he told the writer Gerri Hirshey. He's written a bunch, but his fans are more interested in the intricate jams. Campbell’s version reached #2 on the US Country charts in 1968, and won two Grammy Awards, for Best Vocal Performance, Male and Best Contemporary Male Solo Vocal … https://www.countrythangdaily.com/by-the-time-i-get-to-phoenix-glen By the time I get to Phoenix she'll be rising She'll find the note I left hangin' on her door She'll laugh when she reads the part that says I'm leavin' 'Cause I've left that girl so many times before. One of Tom Petty's most personal songs is "Room At The Top," which he stopped performing because it brought back painful memories. But she'll just hear that phone keep on ringin' There was no chorus, although not for lack of Motown trying to wrestle one on to it. The lyrics to "Heartbreak Hotel" were written by a steel guitar player who was once a dishwasher repairman. ‘By The Time I Get To Phoenix’ began it’s life at Motown before inspiring many covers, including a 19 minute rap version. The song opened a partnership between Webb and Campbell that was to produce, among many, the pop country classics “Galveston” and “Wichita Lineman”. After transcribing other people's music for a small music publisher in Hollywood, Webb was signed to a songwriting contract with Jobete Music, the publishing arm of Motown Records. The song follows the narrator on a road trip to Oklahoma, as he marks out the miles imagining what “she” is doing as he drives far away from her, for good this time. Campbell had had a couple of minor solo hits (although one of them, “Gentle on My Mind”, went on to win a Grammy), and had stepped in on tour with the Beach Boys after Brian Wilson’s breakdown. His sensual baritone delivers a cautionary tale for the uxorious: a husband working triple time to please a faithless woman who brags about his stupidity. And she'll cry just to think I'd really leave her The R&B trio felt uncomfortable singing "'hit me baby one more time.". : The Ultimate Isaac Hayes 1969-1977, It Came from Memphis: The Legendary Sounds of Memphis. Yet when Webb, then a young writer for Motown, presented the tune’s three narrative verses to his bosses, they were puzzled: “Where’s the chorus?”. By the time I make Albuquerque she'll be working She'll prob'ly stop at lunch and give me … Tho' time and time I try to tell her so 'Cause I've left that girl so many times before, By the time I make Albuquerque she'll be working Campbell’s sweet-tenored account of “Phoenix” came in at a radio-friendly less-than three minutes. | Free to Read, Pilots swap the cockpit for trading screens, Arsène Wenger on leadership and life after Arsenal, Will America tear itself apart? He also possessed a faultless five-octave range. By the time I get to Phoenix, she'll be risin' She'll find the note I left hangin' on her door She'll laugh when she reads the part that says I'm leavin' 'Cause I've left that girl so many times before By the time I make Albuquerque she'll be workin' She'll probably stop at lunch and give me a call But she'll just hear that phone keep on ringin' ), Meanwhile some listeners cavilled at the timings ascribed to the “Phoenix” route, even producing maps to show how improbable they were. The Supreme Court, 2020 elections and a looming constitutional crisis, Great escapes: spectacular, secluded and for sale, Viva la tortilla: a timely celebration of a great Spanish dish, The Life of A Song: By The Time I Get To Phoenix. “Sometimes as a writer you come to a decision like that and you just flip a coin,” the composer responded in the 2011 book Chicken Soup for the Soul: Country Music. As his wronged protagonist packs his car, it’s 3:30 in the morning and Hayes is yet to go anywhere near the song’s melody. Last.fm Music | Copyright © 2020 CBS Interactive Inc. / All rights reserved. She just didn't know I would really go. Here's how he helped turn this unknown choreographer into a star. But just two years later, a monumental 19-minute version emerged on an album from soul singer Isaac Hayes, then a house musician and writer at Memphis label Stax. Frank Sinatra called composer Jimmy Webb’s subtle, mournful ballad “By the Time I Get to Phoenix” the “greatest torch song ever written”. This classic has been recorded so many times to list all the renditions before and after Hayes' would read like a long grocery list. She'll prob'ly stop at lunch and give me a call Giving the song to Campbell was an inspired suggestion. Hayes’s million-selling refashioning of a country pop hit opened a radical space into which Marvin Gaye, Curtis Mayfield and others soon stepped. Fagen talks about how the Steely Dan songwriting strategy has changed over the years, and explains why you don't hear many covers of their songs. By the time he does, the length of the recording — there are only four tracks on the album — had overturned the formula of hit-singles-plus-filler that governed the industry’s treatment of black albums. Webb also wrote "MacArthur Park," which was a hit for both Richard Harris and Donna Summer, and "Up-Up and Away," which was recorded by The 5th Dimension. ", "Baby One More Time" was originally offered to TLC but they passed on it. Memphian Isaac Hayes burst out of his songwriting shell, where he co-wrote hits for Sam & Dave, the Soul Children, Johnnie Taylor, the Emotions, and other Stax artists with David Porter, and emerged as Black Moses, an urban music giant in the '70s with this unorthodox, mammoth reworking of Jim Webb's "By the Time I Get to Phoenix" issued in 1969. * The week ""By The Time I Get To Phoenix" peaked at #2 on the Hot Country Singles chart, he had two albums on Billboard's Hot Country LP's chart, '"By The Time I Get To Phoenix" was at #6 and 'Gentle On My Mind" was at position #12... Manman from The Zoo The criticisms about the timeline in the song have never made sense to me. Song MeaningFrom songfacts.com - This was written by songwriter Jimmy Webb, who also wrote Campbell's hits "By the Time I Get to Phoenix" and "Wichita Lineman." “I knew they were going to think I was crazy to be doing a song by a white pop singer, so I figured I’d explain. The Man! Yet Hayes said that his rapped intro only came about when he found himself performing a first attempt at “Phoenix” in front of a chattering club audience. Copyright: Writer(s): Jimmy Webb Lyrics Terms of Use, By the time I get to Phoenix she'll be rising Hayes starts this monster off with a long, slow, painful monologue done deep soul style with an organ groaning in the background; it's the most popular deep soul song of all time but is not given that distinction because it transforms into an orchestrated demon with swirling strings, charging horns, and earthy, unnerving vocals.
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