Frankie’s big-city business trip leaves him, as such excursions often do, with a lot of empty hours: too much time to kill, you might say. He’s credited as the director of just three more feature films—Terror in the City (1964), Outside In (a.k.a. It shows none of its age, no signs of neglect. Baron shoots on the streets of Manhattan, using real nightclubs and apartment buildings to capture the quirky details of life in the city, on the outside (who is on the streets, where they go) or the inside (where someone hides his money, the gifts we bring a lover).
Maybe the most impressive thing about this debut feature is how rigorously its inexperienced director sustains a mood of endemic existential anxiety, of a pervasive wrongness in the world. A frequent Criterion collaborator who has edited many of our trailers, the director of The World Before Your Feet charts the evolution of his movie love through multiple formats and new technologies. The image has thankfully not been picture-boxed. Soyez le premier à partagervotre avis sur ce produit, Livraison à votre domicile, sans suivi de votre livraison, Livraison à votre domicile avec suivi de votre livraison, Livraison à votre domicile, avec suivi de votre livraison, remis en main propre, Blast of Silence - Edition Criterion - DVD Zone 1, Conditions générales d'utilisation Fnac Pay&Go. Allen Baron’s stark, moody Blast of Silence (1961) is a movie of many strange distinctions. There’s a weird poignancy in his stiffness. Despite its few issues, this is still a very solid transfer. Two are photo galleries, including one of Polaroids from Allen Baron's set and a new collection showing the Blast of Silence locations today.
Indeed, even before we’ve laid eyes on Frankie, we have heard, in the blackness of the tunnel, a deep, gravelly, disembodied voice intoning a dire monologue on the meaning of this new arrival: “You were born in pain,” says the voice—which is, uncredited, that of the blacklisted actor Lionel Stander. Frankie doesn’t last nearly as long.I don’t think I’m spoiling any surprises here. Made at a time when the Mexican film industry was searching for its own identity, this boldly stylized melodrama anticipated an experimental cinema that was never given adequate room to develop. He makes the most of cramped spaces, using natural shadows for improvised composition. Sound:The mono soundtrack is also surprisingly clear, with no hiss or background noise. The 1990 footage follows Baron through New York as he visits many of the locations used in the film, both reflecting on the actual shoot, and at times, memories from his childhood involving the locations. Terrence Rafferty is the author of The Thing Happens: Ten Years of Writing About the Movies. Shot on the streets of New York, the gritty tale of a hitman on the job that will prove to be his undoing, it's more than just another B-movie, it's a blood, sweat, and tears production of a writer/director/star looking to make a name. Martin Scorsese’s World Cinema Project No. Cinematographer and producer Merrill Brody has a few rough stylistic edges, but even they serve to add to the from-the-ground feeling of the production. The opening bit presents very harsh sound effects and some of the music can sound like it's been cranked a little too much, almost distorting. Even Criterion is lowering thier standards.
"You will walk side-by-side with Frankie Bono!". The hard edges get soft, he feels loneliness at the holidays and regrets for the past just like the rest of us. There's not much else like it, and it used to be a rare sight on the festival circuits. Directed by Allen Baron. He speaks of your birth, how it hurt, how your mother screamed, and even how the doctor slapped your bare bottom as the camera finally breaks through and shows the inside of Penn Station. You can tell right away that it's not going to be the same old production. Noir heroes often don’t make it all the way to “The End,” and in this picture, even more than most, there’s death in the air right from the start. Lors de sa traque, il s’emploie à éviter tout contact avec sa future victime.
In addition to the regular Criterion booklet, which has an essay by critic Terrence Rafferty, an extra four-page insert by Phillips adapts some of the Waldo Salt voiceover from the film into a brand-new promotional comic. Livré sous 2 à 4 semaines. The fact that Baron and Merrill and the rest got theirs done, putting together a one-two punch of a film, is illustration enough of what that means. This job is the assassin's unraveling. He still sounds like a New Yorker.
The front image, menu design, and all of the interior images were done by comics artist Sean Phillips, whose own Criminal series with Ed Brubaker tells tough-minded crime tales in the tradition of Blast of Silence. Livraison à votre domicile avec suivi de votre livraison
If God sounds like Lionel Stander, we’re probably all in big trouble.The gloomy narration, which winds through the picture like one of New York’s twistier subway lines, was written (under the pseudonym Mel Davenport) by Waldo Salt, another blacklistee. Having Phillips' art throughout gives the packaging a wonderful design unity. En savoir plus et paramétrer les cookies. Considering the film's very indy roots I'm not too shocked at the inconsistencies presented throughout, but I am quite surprised by how clean the image looks in terms of dirt and debris. During a pivotal time for Black cinema, John Berry’s beautifully lived-in drama offered a portrait of an African American family that stood in opposition to a long history of harmful stereotypes. Swift, brutal, and black-hearted, Allen Baronâs New York City noir Blast of Silence is a sensational surprise. Now, thanks to the Criterion DVD, Blast of Silence is out there for everyone to discover. Made at a time when the Mexican film industry was searching for its own identity, this boldly stylized melodrama anticipated an experimental cinema that was never given adequate room to develop. I wondered at one point what the movie might be like without the narration. He wrote an appreciation of Allen Baron’s film Blast of Silence in Sean Phillips’s comic book Criminal (Phillips did the a. The Criterion Collection released Blast of Silence on DVD in 2008. Blast of Silence is exactly what indie cinema was always meant to be, with unknowns breathing new life into old genres. Critic Reviews for Blast of Silence. It’s commercially dangerous for any work of popular art to be either behind the times or too far ahead of them. It’s among the very few works in the history of cinema to boast a voice-over narration in the second person. But you wouldn’t know it from all of the melancholy Christmas films that have been made over the years. There's no consistency to it so my guess is it just has to do with the source. As Baron plays the character, Frankie looks like a man who’d be an out-of-towner anywhere on earth. The front image, menu design, and all of the interior images were done by comics artist Sean Phillips, whose own Criminal series with Ed Brubaker tells tough-minded crime tales in the tradition of Blast of Silence.
Blast of Silence is presented in the aspect ratio of 1.33:1 on this dual-layered disc. Get info about new releases, essays and interviews on the Current, Top 10 lists, and sales. During a pivotal time for Black cinema, John Berry’s beautifully lived-in drama offered a portrait of an African American family that stood in opposition to a long history of harmful stereotypes. And it is, hands down, the best movie ever made about a common, important, and unjustly neglected American experience: the really bad business trip.The film’s protagonist, Frankie Bono (played by Baron, who also wrote and directed), is a Cleveland hit man with a contract to terminate—for reasons he neither knows nor cares to know—a middle-management New York mobster named Troiano (Peter H. Clune).
The final extra is a brand-new, hour-long documentary called Requiem for a Killer: The Making of Blast of Silence. He looks straight ahead, as if he weren’t there at all, as if the life of the great city simply had no reality for him: it might as well be a rear projection.Blast of Silence, despite its graphic vigor and its documentary-like immediacy, shares some of its hero’s radical isolation from his surroundings: a stubborn neither-here-nor-thereness and—especially now, nearly half a century later—a haunting sense of being somehow suspended in time.
And over the years, Blast of Silence has, like a particularly scary local hoodlum, acquired a small reputation. With Allen Baron, Molly McCarthy, Larry Tucker, Peter Clune. Maybe the most impressive thing about this debut feature is how rigorously its inexperienced director sustains a mood of endemic existential anxiety, of a pervasive wrongness in the world. The film is presented in a Dolby Digital 1.0 track, audio coming out of the center.
The first is âLocations Revisited, 2008,â which is a collection of photographs taken by Criterion as they toured through New York with Allen Baron yet again visiting the locations used in the film. Try Prime Movies & TV Go Search EN Hello, Sign in Account & … Coming in from Cleveland for a yuletide killing, Frank Bono is a solitary hitman who finds solace in the work he does.
His most recent projects include the futuristic romance A Boy and a Girl with Natalie Nourigat; Archer Coe and the Thousand Natural Shocks, a loopy crime tale drawn by Dan Christensen; and the horror miniseries Madame Frankenstein, a collaboration with Megan Levens. 5€19
He’s a stranger in his own skin.The whole movie, in fact, has the melancholy aura of something displaced, of a traveling salesman’s loneliness. He hasn’t directed a TV show in better than twenty years. It’s among the last of the true film noirs, those fatalistic black-and-white urban crime dramas that darkened the American screen so gloriously in the years after World War II. Criterion presents a very strong digital transfer, though the source material has a few issues here and there.
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The film's sharpness varies throughout, looking sharp and crisp most of the time but murky and soft at others. All three were published by Oni Press. Given the documentary style and the warped voiceover, Blast of Silence is a bit like the less-sophisticated, knob-kneed cousin of Jules Dassin's The Naked City and the TV show that spun off from it.
The film takes from Aldrich and Fuller and sifts its existential themes through a Godardian disdain for continuity. Despite the contributions of Stander and Salt, Blast of Silence has virtually no measurable political content. He looks straight ahead, as if he weren’t there at all, as if the life of the great city simply had no reality for him: it might as well be a rear projection.Blast of Silence, despite its graphic vigor and its documentary-like immediacy, shares some of its hero’s radical isolation from his surroundings: a stubborn neither-here-nor-thereness and—especially now, nearly half a century later—a haunting sense of being somehow suspended in time.
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